THREE WEIRD THINGS: Accident on Swann’s way sex for corpses snail suicide sabotage We decided on the image of the legless man standing erect on crutches, a character who suddenly shows up in the film for no other reason than to provide a masculine symmetry to maternal amputee Alba. For something with a bit of motion to it, you could pick one of the slightly nauseating time-lapse experiments, such as the decaying zebra corpse (which heaves as it is swollen with scurrying maggots, then deflates as they consume its guts). That technique creates a multitude of memorable tableaux: two children dragging a dog past the enormous blue ZOO sign at the Rotterdam Zoo, Alba with her head sticking through the car windshield while a swan’s hindquarters decorate the hood, the twins flanking the legless woman in bed. INDELIBLE IMAGE: Peter Greenaway films each scene like a painting: static, with characters arranged in precise visual relationships, moving very little.
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